The Broken Author

The Fifth Season by N.K. Jemisin, Orbit, August 4th, 2015

The Fifth Season is the first book in N.K. Jemisin’s Broken Earth Trilogy which scored a hat trick of Hugo Award wins in 2016, 17 & 18. Before getting into the review, I should probably start by giving a brief background on how I became familiar with the author. This will in part be to make plain my bias but also just because it is worth going over as these controversies; as I believe they contributed to her three Hugo wins more than the quality of her writing.

In June of 2013, she gave a speech at the Continuum Convention in Melbourne, Australia. Although not named directly, she referenced Vox Day in her speech and described him as:

a self-described misogynist, racist, anti-Semite, and a few other flavors of ***hole

Vox Day responded stating that he does not describe himself this way though his detractors have. He then described Jemisin as:

an educated, but ignorant half-savage, with little more understanding of what it took to build a new literature by “a bunch of beardy old middle-class middle-American guys” than an illiterate Igbotu tribesman has of how to build a jet engine

The context for Jemisin’s attack was that Day had recently ran for president of the Science Fiction and Fantasy Writers of America (SFWA) and lost to author, Steven Gould. He unsurprisingly lost by a significant margin but even receiving 10% of the vote was too much for Jemisin. Now whether or not you think Vox’s reply was particularly charitable, he was not the first to fling the dung and there had been a lot more flung at him before this. The above quote provoked proverbial (and probably no few literal), shrieks from the SFWA “community” and led to his expulsion from the organisation. It has often been quoted (and misquoted) since and usually without the context. I found Vox’s response highly amusing and agree with him completely.

Something I’d forgotten is that Jemisin opened her speech with a spiel about feeling unsafe in Australia and other countries though to my knowledge, was never lynched, mugged or even harassed on her visit. Had anything like this happened, we’d certainly have heard about it. She stated after spending some time in the country that:

This is not a safe country for people of color. It’s better than it was, certainly, but when the first news story I saw on turning on my first Australian TV channel was about your One Nation party’s Pauline Hanson… well. Still got a ways to go.

This was given to an audience in Melbourne who were likely mostly left-wing, so she wasn’t called out on any of the inaccurate things she said in just the first few paragraphs. In reality, those residing in Australia (regardless of their ethnicity), generally have a lot more to fear from people that look like her than any other group; as is certainly true in the United States. The only evidence of Australia being unsafe she had was seeing a politician who advocates immigration restriction on television. If you can stomach reading it, you’ll also observe how devoid it is of the topic of speculative fiction which is the stated purpose of the convention.

The next time her name came up for me was during the Rabid Puppies Campaigns in 2015 and 2016. The Fifth Season was published in 2015 and she was nominated and won the Hugo for Best Novel in 2016. This win, as well as her two subsequent wins were used as evidence that the Rabid Puppies had failed when they actually demonstrated exactly what Vox Day had been saying about the politicisation of the awards going back years.

So this should be enough context before I proceed but I will add that I my initial expectations for this novel would be that it would be simply bad and that Jemisin was promoted not because of her ability, but because she is a black female. After reading it, I would say that these are certainly reasons but not the most important.

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Do people realise Ghostbusters was a comedy?

One of the early posts on my blog was some brief commentary on the trailer for the all female Ghostbusters reboot from 2016. I’ve still not seen the film but by most accounts, it was as bad as I expected it to be and perhaps worse. The film wasn’t a total financial disaster but it still likely lost money when advertising expenses are factored in. It wasn’t so disastrous that the franchise was abandoned though and Ghostbusters: Afterlife followed in in 2021. This was directed and co-written by Jason Reitman, the son of Ivan Reitman who directed the original. He was clearly well aware of the fan response to the female reboot and so held more consciously to the series roots — at least superficially. The film was received well and I actually watched it — though I didn’t like it! Ghostbusters: Frozen Empire was released earlier this year and was a direct sequel to Afterlife with the cast all returning with the original setting of New York also being brought back. In my previous post, I mentioned how belated sequels to old films tend to be bad or pointless and these two films are good examples.

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Top Gun: Maverick – A Worthy Sequel

In my review of the original Top Gun a few years ago, I briefly mentioned the then upcoming sequel and described it as “probably unnecessary”. This cautious cynicism is a result of how often sequels coming years after, if not terrible, are unnecessary at best. Examples include sequels to eighties classics like Coming to America and this year’s sequel to Beetlejuice. There was absolutely no need for these sequels to exist and they usually just follow the same beats of the original; seldom distinguishing themselves from the original enough to justify their existence. Whereas the better sequels either do something to differentiate from the original or else come so close after the original as to seem like a genuine continuation. Top Gun: Maverick certainly follows similar beats to the original but it is a new song and I’m happy to admit my early scepticism was wrong. Continue reading →

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Jagged Alliance 2 Book Review

Jagged Alliance 2 by Darius Kazemi, Boss Fight Books, August 25th, 2014

This is a book I had long been interested in but held off buying despite it being dedicated to one of my favourite games of all time. It was not so much the book itself but what I considered the pretentious aesthetic chosen by the publisher: Boss Fight Books. Certainly a petty reason but contrary to the popular aphorism — you often can judge a book by its cover. And the cover suggested it would be a meandering personal narrative of the author’s experiences with the game and so a waste of time, money, ink and paper. While this certainly seems to be the case for at least a few of the books published under this label, it is not the case here. Darius Kazemi knows his subject well, interviewed a number of the key development staff and often includes extended quotes from them within the text. He also gives a concise history of both the publisher Sir-tech and the Jagged Alliance series before delving into Jagged Alliance 2‘s development, design, story, features and legacy. It is short but little space is wasted. His experiences of the game also mirror many that I have detailed in other posts about the series on this blog.

I am labelling this as a review but what follows isn’t going to follow the typical format I usually adopt for these. It isn’t really necessary as I absolutely recommend the book to anyone familiar with the game and encourage the curious to read an exert published here.

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Borderlands: A Barren Wasteland

I have rather fond memories of the original Borderlands which released in 2009. I got a copy for PlayStation 3 along with a small group of friends and a number of fun multiplayer sessions followed for some months afterwards. It was not the kind of game that would normally appeal to me; as the object is less about getting to the game’s end than it is about finding better equipment and grinding up levels. It was the well integrated cooperative play, the generally unique design and the quirky tone that drew me in. Although the sequel Borderlands 2 is usually considered the better game, I didn’t do more than play through the story and I can’t recall many details about that game off the top of my head. I have barely even looked at the series since — with the sole exception of Tales from the Borderlands, an episodic adventure game from the now defunct Telltale Games released in 2014.

Borderlands was a surprise hit for Gearbox Studios who had previously been known for the two expansion packs for the original Half-Life, some notable PC ports and the Brothers in Arms series. Borderlands was so successful that it has become the main series the studio is known for— even though it came ten years after the studio was founded. A film has long been a possibility and so it is not surprising it finally got one.

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Beyond a Gaffe

gaffe (noun)

1. A social or diplomatic blunder

Merriam-Webster

The other day I noticed an article concerning a member of the Victorian Legislative Assembly referring to AI (artificial intelligence) as “A-One” for an entire speech presented to the National Tech Summit. This might seem on the face of it to be a minor mistake but I believe this goes beyond a regrettable political “gaffe” as described. 

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The Return of the Trump

It has been some years since I wrote about Donald Trump or American politics in general. I first started this blog in late 2015 when the events that culminated in the 2016 election of Donald Trump were unfolding. A lot has happened since then and after Trump’s somewhat disappointing first term and the blatant fraud committed during the 2020 election, I had lost interest what had become much more literal political theatre. I still followed more or less what was happening but expected the rug to be pulled again though still confident he would handily win a fair election. Despite all this, he has won and won very convincingly with Arizona and Nevada now turning red and giving him a total of 312 Electoral College votes as well as the popular vote.

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The Baffling Design of Sonic Superstars

Sonic Superstars was one of the games I was interested in last year but decided to give a miss after seeing some of the more critical (read: negative) reviews. It also just released in a year of big releases and even within a few days of the release of Super Mario Bros. Wonder. As I’ve detailed, there were a lot of great games that monopolised the limited time and money I put aside for gaming last year and so this one was not a priority. Nonetheless, I knew that much like with Sonic Frontiers and earlier with games like Sonic Forces, that I would get to this one eventually. And eventually I did when I found it for less than half the retail price a few weeks ago.

The short of it is that I found most of what the negative reviews had said about it to be spot on and normally this would be the end of the matter. What has prompted this post is that I played the Switch version and I noticed that some of what was written online was inaccurate with regards to the performance of that version of the game. And so unlike with my review of Sonic Frontiers, all the screenshots I have included in this post are captured from my Nintendo Switch. Continue reading →

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Differing Methods: Same Goal

I have mentioned elsewhere the short memory of the media cycle and even society in general. It is no surprise then that it is also evident in the much less important aspects of our lives such as popular culture. This post will be focused on one such example and one where many people who were once opposed to something, end up tolerating it in a different form. Continue reading →

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The Grandmaster Returns

Starquest: Space Pirates Of Andromeda by John C. Wright, Tuscany Bay Books, October 8th, 2024

For an author as prolific as John C. Wright, it has seemed like a very quiet few years. The most recent published books I can find from him on Amazon all came out in 2020. His own list of published works bears this out too. I found myself wondering earlier this year whether or not one of the best living Science-Fiction and Fantasy authors had retired, lost his muse or just faded into obscurity. I first had to remind myself that not publishing isn’t the same as not writing and indeed, doesn’t require any publishing at all. I was then reminded of his successful Starquest, Indiegogo campaign from late 2018 with the promise to “Make  Space Opera Great Again”. Connecting these two revealed that Wright had in fact been quietly but busily writing a whole series of novels for the last few years and the first of these was made available just a week ago.  

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