As I briefly reflected on in a previous post, there was a clear change in action genre from the 1980s to the 1990s. The last films that resembled those of the 1980s were arguably Total Recall and Navy SEALs which both released in 1990. There was some deconstruction of the genre that followed with both The Last Action Hero and Demolition Man, mentioned in the linked post and many films also took a much sillier turn. You could make all sorts of examples about what caused these changes. You could point to Die Hard‘s more “everyman” protagonist or James Cameron inserting somewhat jarring sentimentality into his sequel to the SciFi/Horror film The Terminator. You could argue a lot of things.
One of the more notable changes in the 1990s was Nicolas Cage leaving his more dramatic roles to become an action star. After his Academy Award winning performance in 1995’s Leaving Las Vegas he went on to star in The Rock, Con Air and Face/Off in 1996 and 1997. Although this was not the end of his more dramatic roles, he became known for his action films and continued to appear in a number of others.
I remember well seeing The Rock in the cinemas in 1996 when I was twelve years old and thinking back, I really should not have been allowed to watch this film when I was twelve but I was. This was also my first introduction to Nicolas Cage who my parents probably recognised from films like Raising Arizona and Moonstruck. The Rock is also a film I’ve mentioned in another post as this film was also the second film by director Michael Bay and if I was asked to choose a film that most represents 1990s action, this would be my go-to film.





Starter Villain by John Scalzi, Tor Books, September 19th, 2023
Sid Meier’s Memoir!: A Life in Computer Games by Sid Meier, W. W. Norton & Company, October 12th, 2020