This post will be somewhat similar in theme to two earlier posts I’ve made concerning music. One was from 2021 where I briefly commented on how entirely hollow the “rebellious” image of many bands are. The two examples were Twisted Sister and Rage Against the Machine, both of whom readily licked the proverbial boot when it was put forward and yet both fostered an image of youthful rebellion and rejection of social and political order. More recently you can add Green Day to the list for believing they are fighting “the man” by rejecting the most prominent public movement in opposition to him. All three members of this band are now in their 50s but still dress like they’re in their early 20s. They really look more like middle-aged lesbians than men at this point. At least Rage Against the Machine have had the good sense to break-up this month — hopefully permanently. The other more recent post was just a rant on how terrible I think boomer music is and I have nothing to add to that.
The subject of this post concerns just how fast what is considered transgressive can change with some examples from music popular when I was a teenager and young adult. Continue reading
Summa Elvetica: A Casuistry of the Elvish Controversy & Other Stories by Vox Day, Castalia House, January 10th, 2017


The Name of the Wind by Patrick Rothfuss, DAW Books, March 27th, 2007
